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I first trained as a silversmith at Sheffield College of Art and in the last few months at college I discovered the Japanese technique of fusing non ferrous metals. This technique, known as mokume, would become my passion and ultimately lead me down a totaly different career path to the one I had planned for myself. My research into the subject uncovered articles partially about mokume, but more often covering a similar process using ferrous metals known as pattern welded or damascus steel. It wasn't long before I tried my hand at this second technique, leading me into the realms of blacksmithing.
I joined the British Artists Blacksmiths Assosiation and over the next few years split my time working as a silversmith / jeweller and learning the art of the blacksmith, concentrating on developing skills in the fusion techniques. After several years of attending numerous blacksmithing events, forge-ins and shows along with many an hour at the anvil, I was greatly honoured to be awarded the status of "Master Blacksmith" by the Worshipful Company of Blacksmiths, becoming the first ever non-apprentice trained blacksmith to be awarded a Bronze medal and become a fellow of the company, (FWCB). By being one of the few blacksmiths specialising in these slightly obscure techniques, I have become known for these skills within the profession. This recocnition has resulted in two colleges contracting me to develop and teach both a short course and a masterclass on the subject.
In addition to running these short master classes I am regularly asked to demonstrate in a far more informal way at various blacksmithing events throughout the UK. and Europe. These more informal events have been exceptional, it's great to learn, but to pass on your discoveries has to be one of the best feelings in life, not only is it very rewarding but it can also open many an exciting door.
In October 2002 I demonstrated the mokume technique in France, during the event I was approached by some of the members of a small arts group based in Marseille, and asked if I would like to join them. I was delighted to find that this group has been formed with a mixture of blacksmiths and bronze casters to collaborate and work together to further each others disiplines and hopefully develop new and inventive approaches towards metalwork. I have great hopes that working with this group will prove beneficial for all.
Another step forward in my career started to be formulated at the beginning of 2003 when myself and Quentin decided that we would both greatly benefit from colaberative work, and after much consultation "Real Treasures" was formed.